Digital Heritage 2015

• Discussing the automation of 3D scan acquisition for digital heritage applications.
• Understanding the hardware and sensor issues one has to deal with.
• Getting to know a framework that allows the direct digitization of the archaeological sites with 3D laser scanner and generation of digital documentation of the excavation process.
• Presenting examples of robotic mapping for full 3D color model generation of cultural heritage sites.

• Robots for gaging and digitizing digital heritage and archaeological sites
• Calibration, i.e., finding the extrinsic orientation of all sensors, and sensor co-calibration
• Automated registration of 3D laser scanning data: robotic mapping methods like SLAM (simultaneous localization and mapping) and SFM (structure from motion)
• Automatic coloring of point clouds with data from RGB cameras
• Post-processing the data automatically, such as mesh generation, viewing and inspection of 3D data
• CASTLE3D - A Computer aided system for labeling archaeological excavations in 3D
• On-site semantic mapping and measuring of archaeological findings
• Geo-referencing and digital documentation
• Archaeological database for documentation and reasoning
• Segmentation and CAD-model generation of findings
• Roadmap and future trends in robotics and computer science

1. Introductions and Sharing of Current Methodologies (20 min.): In this section we will introduce ourselves and give the attendants a background to our +15 years digital field experience in Jordan. We will describe in detail how digital field recording is conducted in our region, its evolutionary history and specific methodologies we have adopted over this period and integrated as core features in the software that we believe are universal. We will then introduce our current software and highlight its potential uses. (During this time attendants will be passing around several usb disks and copying the files to their computers).
2. Installation and Setup of ArchField and OpenDig (10 min.): This section will be devoted to assisting attendants in installation and setup. The distributed digital folder will include instructions, test datasets, related published works and the software.
3. Mock Digital Field Excavation Exercise (15 min.): We will conduct a mock run through of a field excavation with the attendants allowing them to test out the software and become familiar with it.
4. Assessment and Take-Away (15 min.): The mock trials will be assessed by the presenters and the attendants. This time will primarily be open for attendants to discuss specifics of their digital field recording needs with the presenters and how the software may need to be adapted to fully suit them. The authors will address more technical aspects of the software and also discuss their current development pipeline including future directions. Given time permitting, we will discuss how we are integrating SfM recording into our field recording pipeline and how we plan to converge the technologies together.

• Brief introduction, what is 3DHOP.
• Using 3DHOP without using 3DHOP: The ARIADNE Visual Media Service.
• The 3DHOP distribution and how to use it. Local setup / webserver / remote deployment.
• Minimal example: The basic HTML example and data setup.
• Prepare your 3D models (simple 3D meshes, multiresolution meshes, multiresolution point-­‐clouds).
• Simple template: 3D bookmarks.
• How to setup trackball interaction, parameters and trackball animation.      
• Simple template: Clickable hotspots.
• How to setup hotspots.      
• Advanced Examples.
• Q&A.

• Introduction to several projects using Lumion: In the introduction several projects will be presented that were created using Lumion. These range from sites reconstructed based on archaeological evidence, to visualisations of lost heritage reconstructed based on archival resources to models that include laser scan data and photogrammetrical elements. During this part of the tutorial participants will be able to upload the necessary data and software for the rest of the session.
• Preparing models and importing into Lumion:  This section will deal with introducing Lumion’s workspace and the file types it accepts and how to import them. Special requirements with regards to file preparation will also be dealt with at this stage. Participants are encouraged to bring a SketchUp model of their own that they would like to render, but we will provide a model for those that prefer to use one prepared by us.
• Texturing and using the Library: Once models have been imported they can be textured and rendered. The inbuilt library of textures, environments and artistic effects will be presented and the process of importing custom textures and normal-maps as well as terrain-maps will be discussed. The principle of animating objects will be introduced as well.
• Rendering and output: Once the process of texturing is complete it is possible to start creating the desired output. We will discuss the three main output formats, 2D Images, Film and Interactive workspace that are provided by the software. Several effects available for images and film renders will also be introduced to the participants.
• Conclusion: Sources for further information such as the tutorials and the forum will be shared. A dedicated Forum page for Digital Heritage will be set up by the tutorial organisers to enable those attending Digital Heritage 2015 to continue sharing their experiences and projects after the conference as well.

1. Introduction (30'): Concept of spatial information system. Geometric models. Structuring information using information layers. Types of layers. Indexation method used by CHISel. Resolution. Developing a project.
2. Working with CHSel (15'): How to import models. Parameter for the indexation method. Model visualization. How to save and load models. Disk file structure for a model.
3. Creating layers (30'): Deciding the type for the layer. Resolution of the layer. Parameter. How to create a layer. Modifying the structure of existing layers.
4. Editing layers (20'): Interactive edition of layers. Adding values. Assigning values to the object.
5. Queering and reporting (20'): Review of the different types of queries: point queries, area query and value query.
6. Operations (60'): Detailed explanation of purpose and functionality of the most important types of spatial operations,including algebraic operations, creating layer from geometric values (roughness, orientation, curvature), neighbourhood analysis, conversion between numeric and record layers.

• 3D documentation of cultural heritage objects in museums and collections – state-of-the-art and future outlook. Dirk Rieke-Zapp, 20 min. + 10 min. discussion. This presentation will present current state-of-the–art technology of optical close range metrology with special emphasis on fringe projection systems. It will set the stage for the following talk as well as the hands-on part on more detailed concepts and applications. Results from different research projects will be utilized to visualize and compare different techniques and to show developments that may be expected in the near future.
• Metrology aspects in 3D scanning. Bernd Breuckmann, 20 min. + 10 min. discussion. 3D scanners are mainly used as digitization or measuring device. It is evident that the specifications of a measuring device must be verified at regular intervals, in particular for industrial purposes. However, a lot of users in cultural heritage are not aware of such need or they are not familiar with the corresponding procedures. However for documentation, archiving and any kind of measuring purpose it is essential, that the user is verifying the relevant quality parameters, especially the measuring accuracy.
• Quantitative analysis of rock cultural heritage objects – from field data acquisition towards analysis and interpretation. Vera Moitinho, 20 min. presentation + 10 min. discussion. The aim of this presentation is to provide meaningful information towards a better comprehension of Cultural Heritage (CH) objects. Different strategies for field data acquisition (3D scanning), processing, description and geometrical analysis are presented, in order to understand to what extent distinct methodological approaches and technical choices determine the analysis and interpretation of CH objects.

• 8:30 – 8:45 Presentation of the Workshop and Introduction to the Project INSIDDE by Ms Marta Flórez Igual (Museo de Bellas Artes de Asturias). Welcome and overview of the project INSIDDE and terahertz technology (basis, the digitisation process, tests and validation, results).
• 8:45 – 9:15 Automatic Analysis of PaintingTerahertz Images by Dr Hamdi Dibeklioğlu (TU Delft). Algorithms and techniques to analyse THz images but also other data obtained by different means. Focus on non-invasive pigment distinction and brushstroke identification.
• 9:15 – 9:45 IR Reflectography and Multispectral IR Reflectography by Dr Raffaella Fontana (centro Nazionale delle Ricerche). Description of the technology and equipment needed. Comparison between mono- and multispectral approaches. Underpaintings and underdrawings. Examples.
• 9:45 – 10:15 Optical Coherence Tomography (OCT) applied to cultural heritage by Dr Haida Liang (Nottingham Trent University). Summary of the latest advances and how these can be applied in the field of cultural heritage.
• 10:15 – 10:30 Discussion on the technologies and techniques.
• 11:00 – 11:30 Applications of Terahertz Imaging in Conservation of Paintings by Ms Marta Flórez Igual (Museo de Bellas Artes de Asturias). Potential applications: nderdrawings, pigment identification, etc. Preparation of samples, calibration and validation techniques. Examples.
• 11:30 – 12:00 Applications of Terahertz Imaging in Conservation of 3D Artworks by Ms Irina Yordanova (Regional Historical Museum Stara Zagora). 3D modelling of interiors, content identification and deposit removing. Structured light scanners. Combination of 3D models. Examples.
• 12:00 – 12:15 Discussion.
• 12:15 – 12:30 Closure.

• Discussing the automation of 3D scan acquisition for digital heritage applications.
• Understanding the hardware and sensor issues one has to deal with.
• Getting to know a framework that allows the direct digitization of the archaeological sites with 3D laser scanner and generation of digital documentation of the excavation process.
• Presenting examples of robotic mapping for full 3D color model generation of cultural heritage sites.

• Robots for gaging and digitizing digital heritage and archaeological sites
• Calibration, i.e., finding the extrinsic orientation of all sensors, and sensor co-calibration
• Automated registration of 3D laser scanning data: robotic mapping methods like SLAM (simultaneous localization and mapping) and SFM (structure from motion)
• Automatic coloring of point clouds with data from RGB cameras
• Post-processing the data automatically, such as mesh generation, viewing and inspection of 3D data
• CASTLE3D - A Computer aided system for labeling archaeological excavations in 3D
• On-site semantic mapping and measuring of archaeological findings
• Geo-referencing and digital documentation
• Archaeological database for documentation and reasoning
• Segmentation and CAD-model generation of findings
• Roadmap and future trends in robotics and computer science

1. Introductions and Sharing of Current Methodologies (20 min.): In this section we will introduce ourselves and give the attendants a background to our +15 years digital field experience in Jordan. We will describe in detail how digital field recording is conducted in our region, its evolutionary history and specific methodologies we have adopted over this period and integrated as core features in the software that we believe are universal. We will then introduce our current software and highlight its potential uses. (During this time attendants will be passing around several usb disks and copying the files to their computers).
2. Installation and Setup of ArchField and OpenDig (10 min.): This section will be devoted to assisting attendants in installation and setup. The distributed digital folder will include instructions, test datasets, related published works and the software.
3. Mock Digital Field Excavation Exercise (15 min.): We will conduct a mock run through of a field excavation with the attendants allowing them to test out the software and become familiar with it.
4. Assessment and Take-Away (15 min.): The mock trials will be assessed by the presenters and the attendants. This time will primarily be open for attendants to discuss specifics of their digital field recording needs with the presenters and how the software may need to be adapted to fully suit them. The authors will address more technical aspects of the software and also discuss their current development pipeline including future directions. Given time permitting, we will discuss how we are integrating SfM recording into our field recording pipeline and how we plan to converge the technologies together.

• Brief introduction, what is 3DHOP.
• Using 3DHOP without using 3DHOP: The ARIADNE Visual Media Service.
• The 3DHOP distribution and how to use it. Local setup / webserver / remote deployment.
• Minimal example: The basic HTML example and data setup.
• Prepare your 3D models (simple 3D meshes, multiresolution meshes, multiresolution point-­‐clouds).
• Simple template: 3D bookmarks.
• How to setup trackball interaction, parameters and trackball animation.      
• Simple template: Clickable hotspots.
• How to setup hotspots.      
• Advanced Examples.
• Q&A.

• Introduction to several projects using Lumion: In the introduction several projects will be presented that were created using Lumion. These range from sites reconstructed based on archaeological evidence, to visualisations of lost heritage reconstructed based on archival resources to models that include laser scan data and photogrammetrical elements. During this part of the tutorial participants will be able to upload the necessary data and software for the rest of the session.
• Preparing models and importing into Lumion:  This section will deal with introducing Lumion’s workspace and the file types it accepts and how to import them. Special requirements with regards to file preparation will also be dealt with at this stage. Participants are encouraged to bring a SketchUp model of their own that they would like to render, but we will provide a model for those that prefer to use one prepared by us.
• Texturing and using the Library: Once models have been imported they can be textured and rendered. The inbuilt library of textures, environments and artistic effects will be presented and the process of importing custom textures and normal-maps as well as terrain-maps will be discussed. The principle of animating objects will be introduced as well.
• Rendering and output: Once the process of texturing is complete it is possible to start creating the desired output. We will discuss the three main output formats, 2D Images, Film and Interactive workspace that are provided by the software. Several effects available for images and film renders will also be introduced to the participants.
• Conclusion: Sources for further information such as the tutorials and the forum will be shared. A dedicated Forum page for Digital Heritage will be set up by the tutorial organisers to enable those attending Digital Heritage 2015 to continue sharing their experiences and projects after the conference as well.

1. Introduction (30'): Concept of spatial information system. Geometric models. Structuring information using information layers. Types of layers. Indexation method used by CHISel. Resolution. Developing a project.
2. Working with CHSel (15'): How to import models. Parameter for the indexation method. Model visualization. How to save and load models. Disk file structure for a model.
3. Creating layers (30'): Deciding the type for the layer. Resolution of the layer. Parameter. How to create a layer. Modifying the structure of existing layers.
4. Editing layers (20'): Interactive edition of layers. Adding values. Assigning values to the object.
5. Queering and reporting (20'): Review of the different types of queries: point queries, area query and value query.
6. Operations (60'): Detailed explanation of purpose and functionality of the most important types of spatial operations,including algebraic operations, creating layer from geometric values (roughness, orientation, curvature), neighbourhood analysis, conversion between numeric and record layers.

• 3D documentation of cultural heritage objects in museums and collections – state-of-the-art and future outlook. Dirk Rieke-Zapp, 20 min. + 10 min. discussion. This presentation will present current state-of-the–art technology of optical close range metrology with special emphasis on fringe projection systems. It will set the stage for the following talk as well as the hands-on part on more detailed concepts and applications. Results from different research projects will be utilized to visualize and compare different techniques and to show developments that may be expected in the near future.
• Metrology aspects in 3D scanning. Bernd Breuckmann, 20 min. + 10 min. discussion. 3D scanners are mainly used as digitization or measuring device. It is evident that the specifications of a measuring device must be verified at regular intervals, in particular for industrial purposes. However, a lot of users in cultural heritage are not aware of such need or they are not familiar with the corresponding procedures. However for documentation, archiving and any kind of measuring purpose it is essential, that the user is verifying the relevant quality parameters, especially the measuring accuracy.
• Quantitative analysis of rock cultural heritage objects – from field data acquisition towards analysis and interpretation. Vera Moitinho, 20 min. presentation + 10 min. discussion. The aim of this presentation is to provide meaningful information towards a better comprehension of Cultural Heritage (CH) objects. Different strategies for field data acquisition (3D scanning), processing, description and geometrical analysis are presented, in order to understand to what extent distinct methodological approaches and technical choices determine the analysis and interpretation of CH objects.

• 8:30 – 8:45 Presentation of the Workshop and Introduction to the Project INSIDDE by Ms Marta Flórez Igual (Museo de Bellas Artes de Asturias). Welcome and overview of the project INSIDDE and terahertz technology (basis, the digitisation process, tests and validation, results).
• 8:45 – 9:15 Automatic Analysis of PaintingTerahertz Images by Dr Hamdi Dibeklioğlu (TU Delft). Algorithms and techniques to analyse THz images but also other data obtained by different means. Focus on non-invasive pigment distinction and brushstroke identification.
• 9:15 – 9:45 IR Reflectography and Multispectral IR Reflectography by Dr Raffaella Fontana (centro Nazionale delle Ricerche). Description of the technology and equipment needed. Comparison between mono- and multispectral approaches. Underpaintings and underdrawings. Examples.
• 9:45 – 10:15 Optical Coherence Tomography (OCT) applied to cultural heritage by Dr Haida Liang (Nottingham Trent University). Summary of the latest advances and how these can be applied in the field of cultural heritage.
• 10:15 – 10:30 Discussion on the technologies and techniques.
• 11:00 – 11:30 Applications of Terahertz Imaging in Conservation of Paintings by Ms Marta Flórez Igual (Museo de Bellas Artes de Asturias). Potential applications: nderdrawings, pigment identification, etc. Preparation of samples, calibration and validation techniques. Examples.
• 11:30 – 12:00 Applications of Terahertz Imaging in Conservation of 3D Artworks by Ms Irina Yordanova (Regional Historical Museum Stara Zagora). 3D modelling of interiors, content identification and deposit removing. Structured light scanners. Combination of 3D models. Examples.
• 12:00 – 12:15 Discussion.
• 12:15 – 12:30 Closure.

• Ernesto Páramo: Director of Parque de las Ciencias
• Livio de Luca, Lisa Fischer, Victor Lopez Menchero, Juan Carlos Torres: DigitalHeritage 2015 General Co-Chairs
• Antonio Ramírez de Arellano: Ministry of Economy and knowledge of Andalusian Goverment
• Pilar Aranda: Chancelor of the University of Granada
• Reynaldo Fernández: Director of the Council of Alhambra and Generalife
• Alfonso Muñoz Cosme: Subdirector General del Instituto de Patrimonio Cultural

• Federico Mayor, Honorary Chair of the Conference, Chairman of the Foundation for a Culture of Peace, and former Director-General of UNESCO
• Milagros Del Corral, Author, former National Librarian of Spain, and former Deputy Assistant Director General for Culture, UNESCO
• Javier Hernández-Ros, Head of Creativity Unit, DG Communication Networks, Content and Technology, European Commission

• Livio de Luca, Lisa Fischer, Victor Lopez Menchero, Juan Carlos Torres: DigitalHeritage 2015 General Co-Chairs
• Gabriele Guidi, Roberto Scopigno: DigitalHeritage 2015 Scientific Program Co-Chairs
• Holger Graf: DigitalHeritage 2015 Publication Chair
• Sofia Pescarin, Alfredo Grande, Pedro Cano: DigitalHeritageExpo 2015 co-chairs

• A presentation of the results of a survey and analysis done by the PERSIST project of current selection policies in cultural heritage institutions. The report with the result of this analysis is available at http://www.unesco.nl/artikel/further-steps-towards-selection-guidelines-digital-heritage (20 minutes incl. Q&A).
• A group discussion with the participants of the workshop about the composition and usefulness of collections with born digital cultural heritage that they frequently use. How are they used? What are current limitations? (30 minutes).
• A presentation of the draft guidelines for selection of born digital heritage, as prepared by the Content Taskforce of the PERSIST Project. These Guidelines will be finalised in November 2015. The results of this workshop will be used as input for these guidelines. (30 minutes incl. Q&A).
• An interactive session in two subgroups (academic researchers and curators) to collect ideas and expectations about the growth, composition, sustainability and use of collections of born digital cultural heritage as they will exist in the future (5 to 25 years from now). (60 minutes).

• Mr. Reynaldo Fernández Manzano, Director of the Patronato de la Alhambra y el Generalife.
• Dr. Eurydice Georganteli. University of Birmingham: Urban Heritage in Southeastern Europe: Challenges and Opportunities in the Digital Era.
• Eng. Silvia de los Ríos Pérez. Universidad Politécnica de Madrid. COOLTURA by TAG CLOUD.

• Dr. Daniela Petrelli. Sheffield Hallam University. The challenges of MeSch Project.
• Dr. Jacqueline Floch. SINTEF IC. Storytelling in the COOLTURA platform.
• Mr. Matthew Luke Vincent. Universidad de Murcia. ITN-DCH Project. / Project Mosul - crowdsourcing

• Ms. Holly Wright. York University. LoCloud project findings.
• Dr. Stefano Bortoli. Technical Director of the OKKAM S.R.L. Personalization in COOLTURA.
• Mr. Arun Prakash/Santosh Kumar Rajaguru. Fraunhofer FOKUS. Open Data Harvesters for Digital Cultural Data Management.

• A presentation of the results of a survey and analysis done by the PERSIST project of current selection policies in cultural heritage institutions. The report with the result of this analysis is available at http://www.unesco.nl/artikel/further-steps-towards-selection-guidelines-digital-heritage (20 minutes incl. Q&A).
• A group discussion with the participants of the workshop about the composition and usefulness of collections with born digital cultural heritage that they frequently use. How are they used? What are current limitations? (30 minutes).
• A presentation of the draft guidelines for selection of born digital heritage, as prepared by the Content Taskforce of the PERSIST Project. These Guidelines will be finalised in November 2015. The results of this workshop will be used as input for these guidelines. (30 minutes incl. Q&A).
• An interactive session in two subgroups (academic researchers and curators) to collect ideas and expectations about the growth, composition, sustainability and use of collections of born digital cultural heritage as they will exist in the future (5 to 25 years from now). (60 minutes).

• Mr. Reynaldo Fernández Manzano, Director of the Patronato de la Alhambra y el Generalife.
• Dr. Eurydice Georganteli. University of Birmingham: Urban Heritage in Southeastern Europe: Challenges and Opportunities in the Digital Era.
• Eng. Silvia de los Ríos Pérez. Universidad Politécnica de Madrid. COOLTURA by TAG CLOUD.

• Dr. Daniela Petrelli. Sheffield Hallam University. The challenges of MeSch Project.
• Dr. Jacqueline Floch. SINTEF IC. Storytelling in the COOLTURA platform.
• Mr. Matthew Luke Vincent. Universidad de Murcia. ITN-DCH Project. / Project Mosul - crowdsourcing

• Ms. Holly Wright. York University. LoCloud project findings.
• Dr. Stefano Bortoli. Technical Director of the OKKAM S.R.L. Personalization in COOLTURA.
• Mr. Arun Prakash/Santosh Kumar Rajaguru. Fraunhofer FOKUS. Open Data Harvesters for Digital Cultural Data Management.

• What we are doing
• Why we are doing it
• Issues of Access to Data
• Not a Virtual Museum

• The Virtual Repository
• The User Experience
• The User Interface
• Conducting online research
• Media

• Private industry and Cultural Heritage
• The 3D Revolution
• Heritage Business Models

• The Big Picture
• The Politics of Open Science in Archaeology and Heritage
• The Democratization of Science – Heritage Model
• Call to Action – The Democratization of Heritage Project

Tapas are a very characteristic part of Spanish eating and vary from region to region. Some say it was a particular King who insisted that a small piece of food (olives, cheese, cured ham) be placed over the top of a glass of wine, “covering” (in Spanish, tapando – hence the origin of the word) the drink.

• Work with small and medium sized institutions to make their content discoverable within Europeana
• Cloud-based computing services which are helping to put local heritage content online and make it more searchable and interoperable
• Development of a variety of specialised microservices, including geographic location and map based services for local heritage
• Support for communities and cultural tourism, by enabling local heritage to be included in mobile and other applications

• 10:00 – 10:15 LoCloud: Local content in the Europeana Cloud (Kate Fernie)

• 10:15 – 10:30 Geolocation LoGeo API tool (Franc Zakrajsek)

• 10:30 – 10:45 Magic lantern slides and 3D PDFs: Working with diverse content providers (Louise Kennedy)
• 10:45 – 11:00 Romanian digital collections in Europeana (Sorina Stanca)
• 11:30 - 11.45 Dynamics and partnership with local associations involved in LoCloud: A study case with Gironde (Agnès Vatican)
• 11:45 - 12:00 Czech digital collections from the archaeology and architecture domain in Europeana (Irena Blazkova)
• 12:00 – 12:15 Balkan LoCloud Experience (Jasmina Ninkov and Predrag Djukic)
• 12:15 – 12:30 The cultural challenge in Umbria: Local institutions growing up in the cloud (Giulia Coletti and Claudia Pazzini)

• 12:30 – 12:45 LoCloud Support for communities and cultural tourism (Silvia Alfreider)
• 12:45 – 13:00 LoCloud: What's in it for me? (Henk Alkemade)
• 13:00 – 13:30 Concluding Remarks and Discussion (Holly Wright)

What is Memento?

High definition 3D from captured reality:

Autodesk Memento is an end-to-end solution that starts by for converting any captured reality input (photos or scans) into high definition 3D meshes and than has a smart and most easy to use modern toolset to clean up, fix, prepare and optimize the 3d models for further digital workflows, AR/VR, 3D printing, or for web experiences. With an unprecedented ease of use, this state-of-the-art tool enables artists, museum curators, scientists, media and entertainments artists and many others to master the reality without any previous 3D or CAD experience nor the necessity of expensive, multiple software solutions and to go beyond pure digitization, but go into new ways of story telling.

Pre-requisites for the training session:

None

Need to bring/do before the training:

• your laptop and MOUSE! Super important for not getting frustrated

• pre-installed Memento : you can download Memento from the Memento web site https://memento.autodesk.com/about . You can download the Windows version or write tatjana.dzambazova@autodesk.com to access the Mac version

• You need to have an ADSK login to use Memento – if you have no ADSK login, you can create a free one here:

Presenters / Coaches:

Tatjana Dzambazova – Product Manager of Memento, Autodesk

Valerio Rizzo – phD Neuroscientist, Scientific Illustrator, 3D Digital Artist and Memento Lion

Workshop Overview

• Quick overview of Memento 10min

• Live Demo 10min

• Hands on software training – now You do it! 1hour

• Best practices for taking photos for successful captures 15min

• User Examples 10min

• Challenges in the definition of an inscription: borderline cases.
• Metadata modelling challenges. Texts and objects: what is the Cultural Heritage Object?
• Epigraphy projects with primary and secondary school pupils in Europe
• The issue of metadata categories, definitions and taxonomies
• Vocabularies for epigraphic resources and Linked Open Data best practices
• The EAGLE mobile applications
• The EAGLE Storytelling Application
• Inscriptions in (digital) context: how to enrich epigraphic content with related items
• Mirroring collections and involving users: working with (and learning from) Wikimedia Commons
• Exploiting Social Network’s potential for Epigraphy

• Work with small and medium sized institutions to make their content discoverable within Europeana
• Cloud-based computing services which are helping to put local heritage content online and make it more searchable and interoperable
• Development of a variety of specialised microservices, including geographic location and map based services for local heritage
• Support for communities and cultural tourism, by enabling local heritage to be included in mobile and other applications

• 10:00 – 10:15 LoCloud: Local content in the Europeana Cloud (Kate Fernie)

• 10:15 – 10:30 Geolocation LoGeo API tool (Franc Zakrajsek)

• 10:30 – 10:45 Magic lantern slides and 3D PDFs: Working with diverse content providers (Louise Kennedy)
• 10:45 – 11:00 Romanian digital collections in Europeana (Sorina Stanca)
• 11:30 - 11.45 Dynamics and partnership with local associations involved in LoCloud: A study case with Gironde (Agnès Vatican)
• 11:45 - 12:00 Czech digital collections from the archaeology and architecture domain in Europeana (Irena Blazkova)
• 12:00 – 12:15 Balkan LoCloud Experience (Jasmina Ninkov and Predrag Djukic)
• 12:15 – 12:30 The cultural challenge in Umbria: Local institutions growing up in the cloud (Giulia Coletti and Claudia Pazzini)

• 12:30 – 12:45 LoCloud Support for communities and cultural tourism (Silvia Alfreider)
• 12:45 – 13:00 LoCloud: What's in it for me? (Henk Alkemade)
• 13:00 – 13:30 Concluding Remarks and Discussion (Holly Wright)

What is Memento?

High definition 3D from captured reality:

Autodesk Memento is an end-to-end solution that starts by for converting any captured reality input (photos or scans) into high definition 3D meshes and than has a smart and most easy to use modern toolset to clean up, fix, prepare and optimize the 3d models for further digital workflows, AR/VR, 3D printing, or for web experiences. With an unprecedented ease of use, this state-of-the-art tool enables artists, museum curators, scientists, media and entertainments artists and many others to master the reality without any previous 3D or CAD experience nor the necessity of expensive, multiple software solutions and to go beyond pure digitization, but go into new ways of story telling.

Pre-requisites for the training session:

None

Need to bring/do before the training:

• your laptop and MOUSE! Super important for not getting frustrated

• pre-installed Memento : you can download Memento from the Memento web site https://memento.autodesk.com/about . You can download the Windows version or write tatjana.dzambazova@autodesk.com to access the Mac version

• You need to have an ADSK login to use Memento – if you have no ADSK login, you can create a free one here:

Presenters / Coaches:

Tatjana Dzambazova – Product Manager of Memento, Autodesk

Valerio Rizzo – phD Neuroscientist, Scientific Illustrator, 3D Digital Artist and Memento Lion

Workshop Overview

• Quick overview of Memento 10min

• Live Demo 10min

• Hands on software training – now You do it! 1hour

• Best practices for taking photos for successful captures 15min

• User Examples 10min