Tapas are a very characteristic part of Spanish eating and vary from region to region. Some say it was a particular King who insisted that a small piece of food (olives, cheese, cured ham) be placed over the top of a glass of wine, “covering” (in Spanish, tapando – hence the origin of the word) the drink.
What is Memento?
High definition 3D from captured reality:
Autodesk Memento is an end-to-end solution that starts by for converting any captured reality input (photos or scans) into high definition 3D meshes and than has a smart and most easy to use modern toolset to clean up, fix, prepare and optimize the 3d models for further digital workflows, AR/VR, 3D printing, or for web experiences. With an unprecedented ease of use, this state-of-the-art tool enables artists, museum curators, scientists, media and entertainments artists and many others to master the reality without any previous 3D or CAD experience nor the necessity of expensive, multiple software solutions and to go beyond pure digitization, but go into new ways of story telling.
Pre-requisites for the training session:
None
Need to bring/do before the training:
your laptop and MOUSE! Super important for not getting frustrated
pre-installed Memento : you can download Memento from the Memento web site https://memento.autodesk.com/about . You can download the Windows version or write tatjana.dzambazova@autodesk.com to access the Mac version
You need to have an ADSK login to use Memento – if you have no ADSK login, you can create a free one here:
Presenters / Coaches:
Tatjana Dzambazova – Product Manager of Memento, Autodesk
Valerio Rizzo – phD Neuroscientist, Scientific Illustrator, 3D Digital Artist and Memento Lion
Workshop Overview
Quick overview of Memento 10min
Live Demo 10min
Hands on software training – now You do it! 1hour
Best practices for taking photos for successful captures 15min
User Examples 10min
What is Memento?
High definition 3D from captured reality:
Autodesk Memento is an end-to-end solution that starts by for converting any captured reality input (photos or scans) into high definition 3D meshes and than has a smart and most easy to use modern toolset to clean up, fix, prepare and optimize the 3d models for further digital workflows, AR/VR, 3D printing, or for web experiences. With an unprecedented ease of use, this state-of-the-art tool enables artists, museum curators, scientists, media and entertainments artists and many others to master the reality without any previous 3D or CAD experience nor the necessity of expensive, multiple software solutions and to go beyond pure digitization, but go into new ways of story telling.
Pre-requisites for the training session:
None
Need to bring/do before the training:
your laptop and MOUSE! Super important for not getting frustrated
pre-installed Memento : you can download Memento from the Memento web site https://memento.autodesk.com/about . You can download the Windows version or write tatjana.dzambazova@autodesk.com to access the Mac version
You need to have an ADSK login to use Memento – if you have no ADSK login, you can create a free one here:
Presenters / Coaches:
Tatjana Dzambazova – Product Manager of Memento, Autodesk
Valerio Rizzo – phD Neuroscientist, Scientific Illustrator, 3D Digital Artist and Memento Lion
Workshop Overview
Quick overview of Memento 10min
Live Demo 10min
Hands on software training – now You do it! 1hour
Best practices for taking photos for successful captures 15min
User Examples 10min
Session chair: Ana Almagro Vidal, Programa de Conservación del Patrimonio, Fundación Montemadrid, Madrid, Spain
Historical sources and uses of photogrammetry and digital cartography (DMT), for short animation of the exhibition “Itinerary of Hernán Cortés” Canal de Isabel II
Magoga Piñas & Alicia Colmenero.
El Ranchito.
Analysis and Project Management within the HBIM (Historic Building Information Modelling): A study example tiles and flooring in the Built Heritage
Nieto Julián,Juan Enrique; Moyano Campos, Juan José; Rico Delgado, Fernando.
Department of Graphic Analisys and Building Engineering. High School of Building Engineering.University of Seville. Spain.
Historian digital training within Europe
José Antonio Ruiz Gil
University of Cadiz
Documentation and presentation of rock art in Spain
Victor Manuel Lopez-Menchero Bendicho
University of Castilla-La Mancha
The Restoration of the Fountain of the Lions as a Knowledge Process
This important Congress is an opportunity to present in such a highly qualified forum a brief summary of the process of restoration of the Fountain and the Court of the Lions of the Alhambra.
The conservation and restoration of this important monument, the only surviving mediaeval Islamic palace, is grounded on a well-established tradition based around the following aspects:
The general criteria that must be borne in mind are the values of authenticity and integrity, which form part of the commitment accepted by the Council of the Alhambra, as befits a place that has been a World Heritage Site since 1984. Restoration is a scientific process over a series of stages including:
The restoration of the Fountain of the Lions was conceived as a coherent methodological process aimed at broadening our KNOWLEDGE of the fountain and its surrounding constructions.
The Fountain of the Lions is in the Al-Qasr al Sultan, the Royal House of the Sultans from the Nasrid dynasty. It was commissioned by the Sultan Muhammad V (during his second reign between 1362 and 1391). The Fountain is the central feature of the rectangular courtyard, which is organized into two terraces at different levels. Two pavilions jut out into the courtyard from the narrower sides, and a number of rooms are laid out around it. It is made of white marble quarried in Macael in Almeria.
The Fountain consists of 12 lion figures arranged in a circle. Resting on their backs is a large dodecagonal basin with a diameter of 2.52 m. The basin has a water spout in the centre and is decorated with epigraphic, geometric and plant motifs. It sits on a cylindrical stand made of limestone.
The water spout has eight jet-holes arranged in a circle from which the water spurts out. Just below, there are eight drainage holes, which allow the basin to fill without ever brimming over so achieving a smooth balance. The circuit is also connected with the Lions. Water jets out of their mouths and is then collected in the channels in the courtyard.